note;this is kindda different interview,first total questions then total answers.here you got peh!-frostkamp-1.Of course most of us has seen some great bands in their poorlifes,had been inspired from these bands,from these bands’ideological,musical or mental approaaches,yet i want to learn moreanout Soulcide’s past,ancient activities,which can be a bunch ofsource of knowledge for whom who hasnt known you well yet,and want toknow much about Soulcide’s activities,please introduce your band;bothin terms of ideologically-which is alacking point of todaysbands-,your aim in creating Soulcide,reasons of chosing the unholypath of black metal to express or spread your propaganda please?2.Your split album with Nuclear Winter has already hailed thecatalogies,so returning top ast and judging this morbid album,what canyou say about this release?How were the reactions to this album,andmeantime,most important of all;do you care about any feedback aboutthis album;be it negative or positive?3.Be it in any cases,are the negative comments of your worksgive you some inspiration or fuel for the future?I mean are you a kindof person who takes lessons from the past mistakes?Be it in Soulcide’smusical life or your very own personal,individual life?4.How would you define the Soulcide’s music?Actually suicidalblack metal touches,lets say from Legendary Burzum-specially in termsof vocal usage-can be seen in the songs of Soulcide,what can you sayabout this?In which file you can catagorize thje Soulcide’s musicalapproach?5.What do you think about the Natiaonal Socialism in blackmetal?Do you have any special comments about this subject?For you isit true to spread any kind of propaganda by means of black metal?Andtherefore,how far can black metal go without the ideological approachthat dwells in its very veins?Dont you think that the black metal hasto ideological or philosophical,particularly in terms of lyricalconcept?For example,what we are being offered in the lyrical side ofthe Soulcide?What are your lyrics are mentioning about?Do you thinkthe lyrics of a band can be a kind of device of politicalpropaganda,as i already said before,particularly when we talk aboutNational Socialism?6.Have you ever thought of giving gigs,inj fornmt of theaudience?Being a black metal listener who hates live performances,isimply dont care about any live black metal gigs as i strongly andprecisely belive in that black metal must be misanthropic.Black metalshould not be performed in front of thousands of idiots i think,whatcan you say abouty this?And,therefore,what are your opinions about thefuckin big festivals in which every fuckin metal music listeneradores?Lets say about Wacken or any other?7.When exactly your journey into the unholy black metal artsstarted?What was the first albums you have ever bought?8.Meantime,what are your opinions on free music opportinitiesthat can be easily gained by means of internet?Are you for or againstto this Mp3 thing?Do you think it is true to gain free möusic joythroughout the internet shit?9.You have been working with the Possesion Productions from theBelarus,do you content with them- so far?For you,what kind ofqualities should have a record label?10.What are your final words for the ugly readers of the FrostMagazine?Do you have enough balls to spit your hate from here to yourenemies?Answers of Melkor(SOULCIDE):1. SOULCIDE as project was given birth in 2002. Then mini-album“Misanthropy” was recorded. Earlier we participated in one project,but have soon abandoned it because of ideological and musical discordsinside the band. The purpose spurred us to create the band, was adesire to give own contribution to fight for souls and minds. We wantto propagandize our ideas through our music, through texts of oursongs, regardless of that what images and the forms will find ourpropaganda. Will this idea superiority of White Race and NS-ideology,or entailment to misanthropy/total Chaos and Dark (even havingshortened ‘til of minimum amount participant, it is impossible obtainone opinions) – all this will find its reflection in activity ofSOULCIDE. It is important that we are adjusted devilishly seriouslyand that we do is not for some clownshit or entertainment.2. I consider that for debut recording it isn’t bad though somethingpossible be changed and added. Some moments presently not much make(possible, problem is in absence of the experience of work inrecording studio, lacks of time and etc), but what was made, that wasmade. The responses as a whole were positive though we care littlewhat the others say. We walk to our goal and spit on all freaks, whichtry to moo something inarticulate in our address.3. Naturally, we stand some lessons from own mistakes. After all onlyidiot will step again and again on one and same rake whole its stupidlife. But this is not due to some critics in our address. What is theessence in general of critics/negative review? This or desire toregurgitate its negation or incomprehension of this music (you know,in some magazines editors entrust to write the reviews on Black Metalalbums to fucking fagots, who for the whole their good-for-nothinglife have heard nothing heavier than RAMMSTEIN), or attempt to teach,or direct the musician on several other ways. It’s why I want todeclare: SOULCIDE is not and never will be a whore, which at will ofclient takes any poses! Shall say once again – we spit on critic, wedo that want, and in those ways we consider necessary.4. I did not want to delimit Black Metal more and more and think upfor us some determined style (in my opinion, is enough of them). Wecharacterize our music as Black Metal. If someone have kept an eye init of some else “moments”, we not against. For us it’s much importantwhat carries our music than its name. Certainly BURZUM as band andVarg as personality have inspired us. But was wrong say only aboutBURZUM, as about group rendered certain influence upon formation asSOULCIDE and our personalities, and not to say about Fenriz andNocturno (DARKTHRONE), Nordavind and Nattefrost (CARPATHIAN FOREST)and others. Those groups and their participants in determined measurehas influenced upon us and our music. We are grateful them for thisand their great contribution to Black Art!5. I think that merging Black Metal and NS-movement in a certain sortwas predestined (both these currents in its sort are the mostextremist and intolerant to sleazy freaks) so I hail the unity ofMalice and Misanthropy with extremism and anti-semitism (as firstthing!). I consider the spreading the propaganda as first goal ofBlack Metal since from first days it was anticlerical and have carriedprotest in itself, propagandized its intolerance. Can you imagine thatBlack Metal can reach those nowadays positions without ideology? Thenin your question is cut and answer. The ideology is an essence ofBlack Metal, its Steel Axis. And if it will be taken away, this willbe not Black Metal already. Look at those who have sold their ideologyfor the lines in pop-charts. They are even not Metal in sense! Onlymiserable travesty of Great Art. In our lyrics we offer to pay moreattention on everyone’s miserable existence, we try to break theexisting myths, we want to inflict the shattering blow straight inpig-face of judeo-christianity!6. We aren’t live-band, we do not want entertain the public. We canleave on scene under single condition – if were certain that underinfluence of live performing of our music several persons will commitsuicide. The death into the name of Black Metal – a good stimulus! Asyou have said, I do not care about gigs (let all those fucking “metalmusic listeners” think about and adore it). On my view, Wacken is acircus arena for clowns, who have long ago transformed the Black Artinto entertainment. For what this was made remains only to guess.7. My journey into Black Metal Art began, when I was a 15. The firstthat I have heard was BURZUM album “Det Som Engang Var”. This was somisanthropic and suicidal that has completely captured my thoughts andfeelings. Then I have understood that this is the music, which mostfitted to my understanding of reality. Possible say that Black Metalbecame the sense of my life, but later and hymn of the fight.8. I’m for MP3 and free music through Internet only. Why not? Furytakes me when anyone speaks that he has solved to create the group forself-expression and they do not care about volumes of sales of theirlast released CD. But in the same time yells, “how bad are thosepirates which deprive the poor musicians of the legal dollar”. What’sup, man? After all, your music gets to listeners, people heeds yourideas. It is a cause for joy, but… they do not. Shall not advise thosepeople to play anything more commercial to earn money… Simply it isnecessary to be much honest to ourselves.9. Yes, this label we support and we are satisfied by cooperation withPOSSESSION productions. I consider that our ideology is close(possible not completely, but in most directions). On our view asfirst label must be honest with musicians. One more important thing isthat, when label is really promoting the music, rather then feed theband by promises. We think that in cooperation with POSSESSIONProductions we found all things important for SOULCIDE.10. I’m not sure that amongst readers of Frost Magazine our enemiesare found. However if some of them hides amongst the worshipers ofBlack Metal Art, I want to say that do not want to become like one,who declares its poser-threats from pages of magazine. Our hate toyou, dickheads, is in our music!